REAL MOMENTS.
AUTHENTIC PHOTOGRAPHY.

A documentary-led approach to wedding photography, from the moments you’ll remember forever to the ones you didn’t even know happened.

THE MORNING.

I do more than just photograph your dress, shoes and flowers whilst you have your hair and makeup done. As a documentary photographer I’m looking for the little details, natural expressions and interactions happening throughout the morning. I’m there to capture the emotion in moments both big and small: the nervous faces, groomsmen messing around, bridesmaids laughing together, proud parents shedding a tear, and their unforgettable reaction when they see the bride ready for the first time. Whatever the day brings, I’m there to capture it naturally and discreetly, without interrupting the moment.

THE CEREMONY.

The nerves, the excitement, the tears and the reactions. I’m there for the big moment, but I’m also watching everything happening around it — the groom seeing his bride for the first time, parents wiping away tears, nervous glances and the little reactions happening throughout the room. I take a fly-on-the-wall approach, looking beyond the obvious moment to capture the things you might not see while you're standing at the front — the people watching, the fleeting expressions and all those small moments that make the ceremony yours.

THE COUPLE.

This is where we get some time together. I’ll give you direction and help you feel comfortable, while keeping things relaxed and natural. We’ll create some beautiful portraits that feel like you, alongside the candid moments that happen naturally between them.

THE IN-BETWEEN.

This is where the day really starts to breathe. Drinks, conversations, kids running around, garden games and friends and family catching up — there’s always something happening. I’ll wander around, keeping an eye out for the candid moments and little interactions you might otherwise miss. The laughter, the hugs, the games and all the in-between moments that make your wedding feel like your wedding.

THE SPEECHES.

There’s usually a lot going on during the speeches, and I’m not just photographing whoever is holding the microphone. I’m watching the whole room — the laughs, tears, reactions, embarrassed faces and the people trying not to cry. I’ll move between the person speaking and the people listening, looking for those fleeting reactions and little interactions that you might not notice while you're caught up in the moment.

THE EVENING.

Once the formalities are over, things tend to loosen up. This is where I’m looking for the energy, the chaos and the fun — from drinks and conversations, to the dance floor and everything happening around it. I’ll keep moving through the room, looking for genuine moments rather than waiting for people to pose. The big dance-floor moments are there, but so are the hugs, laughter, ridiculous dancing and quieter moments happening around the edges.

WHOLE STORIES